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The Choctaw: A Key Element in Figure Skating Step Technique

The Choctaw: A Key Element in Figure Skating Step Technique

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The Choctaw: A Key Element in Figure Skating Step Technique. The Choctaw is a key element in a figure skater's technical arsenal, mandatory for inclusion in singles skating step sequences and fundamental for ice dance programs. This element is challenging because it requires a simultaneous change of direction, a change of edge, and a change of foot.

The professional team at Ryabinin Camps has prepared a detailed technical analysis of this element. Our goal is to help you master the precise execution of the Choctaw and understand the fundamental differences between its two main variations.

Part I: The Classical Choctaw (Backward Outside — Forward Inside)
Most common in step sequences, the Classical Choctaw is performed from a Backward Outside edge (BO) to a Forward Inside edge (FI).

Preparation (BO): It is critical to maximally open the free (trailing) leg. The hip and knee must be open, and the blade is led behind the heel of the skating foot, clearly defining the curve of the arc. Simultaneously, the back shoulder and arm are opened maximally, allowing the body to "lean" into the circle and ensure correct rotation.

The Change of Foot (The Step): The change must be smooth, without jumping! The free skate is brought closely behind the skating foot (a position similar to 5th position in ballet). Then, using a gentle knee flexion (bend-rise-bend), the skater softly places the second foot forward onto a strong Inside edge. Important: the edge of the initial skating foot must remain outside until the step.

The Second Arc (FI): Gliding on the Forward Inside edge (FI), the free leg remains extended forward and open, helping to maintain the arc. The front arm and shoulder close into the circle, while the back arm, conversely, opens maximally to the rear, creating a "check" for edge control and stability.

Part II: The Blues Choctaw (Forward Inside — Backward Outside)
The Blues Choctaw, also known as the "Closed Choctaw," is frequently used in ice dance, particularly in the Blues pattern dance. It is executed from a Forward Inside edge (FI) to a Backward Outside edge (BO).

Preparation (FI): The free leg is extended maximally back behind the skating foot to reinforce the inside edge. The front arm and shoulder coil into the circle, while the back arm and shoulder are maximally drawn back, preparing the body for the reverse rotation.

The Change of Foot (The Step): The free foot is brought closely behind the skating foot (open 5th position). The change is achieved through body rotation and an elastic transfer of weight. The new foot is placed onto a distinctly expressed Backward Outside edge (BO).

The Second Arc (BO): The skater glides backward on the Outside edge. The free leg is extended forward. The upper body must "lie back" toward the circle. The front arm and shoulder are extended forward, and the back arm opens slightly to the rear.

Elevate Your Step Sequences with Ryabinin Camps
Successful execution of the Choctaw requires not only physical strength but also precision in body control and edge engagement.

Ready to take your steps and footwork to the next level?

We invite you to join Ryabinin Camps for ice training and online sessions! Our professional methodologies are focused on the detailed refinement of every element in your step sequences. We will help you achieve deep edges, perfect rotation, and high speed when performing Choctaws and other elements.

Don't miss the opportunity to train with the best!

We look forward to seeing you on the ice!

The Ryabinin Camps Team

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Dear friends! If you have any question, please contact us by phone or e-mail:

SIA RYABININ CAMPS , Reg.Nr. 40103994233

Liela iela 19 LV-2167 Mārupe, Latvija
+371 25926560
info@ryabinincamps.com

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RYABININ CAMPS SIA
Address: LIELA IELA 19 - 2, MARUPE, LV-2167
Registration No.: 40203433245
Bank name: SWEDBANK AS
BIC/SWIFT code: HABALV22
Bank account: LV58HABA0551053540451 (EUR)
Purpose of payment: Name, and surname of the skater

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